Face makeup essentially is 70 to 80 percent of the process required for creating a completely new character and bringing them to life. Every little detail must be perfected since faces are magnified on big screens in cinemas. We import materials for artificial fiber make-up from the USA. G.Khos-Erdene doing special makeup effect Masks must fit a person’s facial feature perfectly or it will not portray good facial movements. Masks are made specifically for an individual. It’s the second Mongolian film which uses special effects and artificial fiber make-up, a silicon-like material that sticks to the skin. The film has paid a lot of attention to makeup. I took part in “Khavtsal”, a fantasy film which completely transforms actors’ faces. He also teaches makeup at Citi Institute in Ulaanbaatar. G.Khos-Erdene was in charge of make-up for Mongolian films “Khuukheldei” (Doll), “Oroolon”, “Shuugian Tarigch” (Troublemaker), and “Atgand Uldsen Erdene” (The Gem Left in My Palm). Hoze’s Makeup Art Studio’s director and makeup artist G.Khos-Erdene is one of the few people striving to radically change the makeup and special effects scene in Mongolia. There are very few people capable of convincingly transforming a young actor into an elderly person, give them a fake scar, and make it look as if they don’t have a hand or finger. As everyone knows, most horror films require special effects and makeup to be appealing to viewers. The Mongolian film industry heavily favors the comedy genre, but local film directors are trying to diversify into horror and other genres.
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